Lord henrys characterisation in chapters 1 4
As a result, James is hesitant to leave his sister.
Lord Henrys views are generally considered immoral, but, through his eloquent speech and his thoughtful creation of dialogue the reader, it seems reasonable to consider his impressive, seemingly well argued opinions. Still, Lord Henry is the Wildean character in this novel: bright, witty, and controlling.
Read an in-depth analysis of Basil Hallward. Active Themes Henry muses with great pleasure on the debate of the human heart.
What is lord henrys definition of good
Basil's reclusiveness is mentioned early on almost as an afterthought, but plays an important role later in the novel. In general, mysteries are more appealing. The moment their eyes meet, Basil is filled with a strange sensation. He tried to leave, but Lady Brandon grabbed him. She conceives of Dorian Gray as a wonderful alliance for her daughter because of his wealth; this ulterior motive, however, clouds her judgment and leaves Sibyl vulnerable. Lord Henry's habit of constantly spouting "profound" aphorisms and his languid, sensual personality recall Wilde's own social persona. He felt terror upon first seeing Dorian because he sensed that the young man's personality was so powerful that it could absorb him. Basil is afraid that showing the picture would reveal the secret of his very soul. Chapter 1 also introduces some of the major themes of the novel: the importance and power of beauty in relation to the intellect and the soul, and the fleeting nature of beauty. His intelligence diverts from his manipulative nature and bad intentions. Basil's attempt to destroy the painting with a knife, and Dorian's exclamation that "It would be murder" foreshadows the events that take place in chapters 13 and Basil thinks not. He predicts that his art, Lord Henry's wealth, and Dorian Gray's beauty will make them all suffer for their distinction. Vane is a faded actress who has consigned herself and her daughter to a tawdry theater company, the owner of which has helped her to pay her debts.
The studio is Basil's, and, as they chat, he critically regards his current masterpiece, a portrait of a gorgeous young man. We learn a great deal about Lord Henry, Basil, and Dorian, and are provided with information that will inform the development of the story.
Basil tells Henry that he's wrong—looks aside, anyone who's different in any way is marked by fate. Basil's attraction to Dorian seems to be both professional and personal.
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